RightsControl advocates for fair remuneration for photographers

At Sucré Salé and within our RightsControl division, our mission is simple and has been aligned with our purpose since the agency was founded in 2000: to ensure that photographers are fairly remunerated when their works are used. Our aim is to protect copyright. We seek to regularise the use of works where no remuneration has been paid.

Fanatic Studio / sciencephoto.fr
Fanatic Studio / sciencephoto.fr

An approach already established in other industries

When a company uses unlicensed software, nobody is surprised that the publisher demands that the situation be rectified.

When a film is screened without authorisation, it seems natural for the rights holders to demand compensation.

When music is used without a licence, the remuneration of those involved in the track is regarded as a natural principle of the cultural economy.

Why should photography be any different?

A photograph is an intellectual work. It is the result of human, creative, technical and financial investment. Behind every image there is a photographer, sometimes a production team, travel, equipment, years of experience and, often, a significant investment to produce high-quality content.

Requesting that unauthorised use be regularised is therefore not an exceptional step. It is simply the application of a principle widely accepted in all other creative industries.

Case managers: facilitators

Another common misunderstanding concerns the role of case managers.

They are neither aggressive debt collectors nor adversaries of the people they contact.

Quite the contrary.

The case manager acts as a mediator between the user of the image and the photographer. Their role is to understand the situation, explain the rights involved and seek a balanced solution to regularise the use.

In a sense, the case manager acts as the offender’s ambassador to the photographer.

It is the case manager who sets out the context of use, explains the specific circumstances, conveys arguments made in good faith and seeks solutions that take into account both the creator’s rights and the user’s situation.

The aim is to find a reasonable outcome that respects the interests of both parties.

Courtesy always helps to find solutions

We understand that receiving a letter regarding unauthorised use may cause confusion, surprise or even frustration.

However, adopting an discourteous attitude towards the teams handling the case never improves the situation.

Case managers devote their energy specifically to finding pragmatic and balanced solutions. They take numerous factors into account, including the nature of the use, the context, the user’s good faith and the efforts made to rectify the situation.

Constructive dialogue leads to better outcomes.

Defending creative works, protecting copyright – quite simply

Ultimately, our approach is based on a very simple conviction: creators must be able to make a living from their work.

When a photograph is used without authorisation or a licence, the photographer loses remuneration to which they are legitimately entitled.

Enabling the regularisation of such uses is a legitimate practice. It is a mechanism necessary for the proper functioning of the creative economy, just as it is in the software, film and music sectors.

RightsControl operates in this spirit: with professionalism, with restraint and with a constant commitment to finding balanced solutions that respect both users and the work of photographers.

For protecting creative works is essential to their continued existence.

Respecting copyright means supporting those who create the images that inspire, inform and bring the web to life every day.

Votre équipe Sucré Salé

Votre équipe Sucré Salé


 

 

 

Contact us

Patrick Alloncle

DG, Sucré Salé

Tom Gastmans

Managing Director, Sucré Salé

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About Sucré Salé

Specializing in the curation of premium food photography, Sucré Salé produces and markets the work of nearly 350 professional photographers and contributors worldwide. The agency’s clientele includes food and mass retail brands, as well as magazines and specialist publishers.

In 2005, Sucré Salé expanded its offering to include bespoke photo and editorial content production. The launch of its in-house studio proved highly successful. Each year, between 700 and 750 exclusive images are commissioned by the agency’s clients, who are seeking proprietary, high-value content.

A major expansion of the agency’s food portfolio took place in 2014. By securing the exclusive representation of the StockFood collection—the world’s leading culinary image agency—Sucré Salé was able to offer publishers complementary content with a stronger focus on global cuisine.

A new milestone was reached in 2018, in line with a strategy of multi-specialization. Sucré Salé broadened its expertise to include image collections in the fields of interior design and lifestyle, beauty, science and environment, gardening, and travel. The growing demand from publishing clients for high value-added content ensured the success of this expansion. It also enabled the agency to continue its pursuit of premium, distinctive photo collections, unavailable in generalist stock libraries.

Finally, a fresh momentum propelled Sucré Salé in 2019 with the appointment of a new executive management team. The new duo, Tom Gastmans and Patrick Alloncle, building on the teams’ expertise, set out a clear ambition: to establish Sucré Salé as the benchmark for the production and distribution of specialized photo collections.

Sucré Salé was founded in 2000 at the initiative of Pierre Hussenot, together with other renowned food photographers.

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